Working with oil based paints and drawing on her extensive research, Mary is a stickler for authenticity. But, she says, “I'm not a photocopy machine. I reinvent the folk art original by translating it to a new scale.” And, she adds, “I don't use any gimmicks. The only tools I have are my eyes, my paints, and my brush.” The finished works are amazingly precise interpretations in miniature of American folk art originals dating from the late 17th century into the 19th century.
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